We loved your design as soon as it came through! We really wanted to see it near Washington Park, but the two panel pieces have to be installed on a back facing shelter so the design isn’t broken up by the arm rest. So we kept searching for the perfect shelter location and when we saw the shelter in front of Center Street Library we got so excited to pair your artwork with the library, we felt they belonged together. Have you always had this connection to nature and education? How has nature influenced your art?
It’s funny you say that- in fact, I’m an art teacher! Education has always been central to my life and I’ve made it my mission to inspire others through art. My mom is also a public school teacher, and she’s moved me to view life through the lens of continuous learning. I’ve always been attracted to nature, and it’s been in the natural world that I’ve always felt the most free. My art-making was heavily influenced when my husband and I moved out of the city and onto a horse farm. It was there that the natural environment became an integral part of my art, and continues to influence me today.
We loved what you said on your website about the interconnectedness of it all, what draws you towards the interconnectivity of the natural world?
I am intrigued by the idea of nature vs. nurture and, as an identical twin, the interconnectedness between the two. Being biologically identical has allowed me to be more aware of the similarities between all living things. I feel there is a common thread that runs through everyone and everything. Nature has a beautiful way of repeating itself, growing from decay, and that circle that humans interact with every day impacts the process. I hope my art reminds us of these fragile connections and the effect the natural world has on us, and that we have on it.
It looks like you work with a lot of various mediums to express this interconnectivity, which is your favorite medium to work with? How do you choose which to work with to express what you want to show?
I love it all; I really do! This is why being an art educator is so fun, because I get to share the many ways of making with others. I would primarily identify as a fibers artist, as this encompasses the larger part of my art making. Even as a painter, I treat the raw canvas as a fabric and the paint and dyes as stains. I love the tactility and malleability of fibers, how it’s shape is always changing and can evolve from 2D to 3D. It’s more of an impulse for me, a feeling I interpret into movement in order to accomplish that into becoming. When I want to work large and gestural, I like to paint; when I want to be detailed and hold the work like an object, I’ll sew or weave. This work is about communication, and how, through drawing, what a visual can reveal.
What do you think would help encourage new artists to engage with the arts?
I believe access to the arts and unfaltering support are the two greatest contributors to art engagement. A new artist experiencing something and feeling that rush of inspiration coupled with constant and eager encouragement for this passion is, I think, the start of a beautiful relationship. My hope is to engage everyone in the arts in some way, which is why showing this public art piece is an incredibly exciting opportunity. It is making art accessible. Looking at and experiencing an artwork may be the beginning of an individual’s engagement in the arts.
What advice would you give to an artist who is starting now?
Continue to make. Even if it’s been years since you did, or even if you have nothing but a napkin to draw on, make time to make. Immerse yourself in art, which is plentiful here in Milwaukee. Connect with people who support you, take risks. If you are open to the possibilities, they will come. Be authentic to yourself and create what you want for the purpose of fulfilling your vision, even if others question it or you don’t get the response you were hoping for. Continue and enjoy the process!
Who are a few local artists that you really enjoy?
What I love about Milwaukee’s art scene is how supportive it is. I am amazed at how loving people are here and how much the arts community wants the best for others. I really enjoy Mark Mulhern’s work; there is something so nostalgic about it. Todd Mrozinski has an acute attention to detail and I love how he meditates on the natural world. Renee Bebeau is multifaceted in her approach to making and her art communicates so much. Nirmal Raja has exquisite and ethereal works and her craftsmanship is impeccable. David Najib Kasir touches on emotional topics and pairs it with these ornate patterns, which I adore. My husband, Peter Gehrig, is also an artist and I love his patient and subdued way of perceiving the world through his art. It was from purchasing a drawing from him that we met, so I must say that even if he weren’t my partner I would still name him
What’s next for you?
Well, Peter and I just bought a small hobby farm outside of the city and are working on making that our homestead. I hope to incorporate the natural world into my art making through dried flowers and natural dyes grown and gathered from our garden and land. We aim to additionally build an interactive art space in our woods to welcome those interested in making. I will continue to teach (primarily sculpture, ceramics, and metals) and work on building my studio practice. I’m also in the process of working on a few children’s books, so I’m looking into getting those out to the public as well!
Bus Art Project MKE 