Artist Interview: Larry Booth

“Milwaukee Topo” by Larry Booth at the corner of Sherman Blvd. & North Ave.

What made you start creating topographic art? 

My degree is in architecture. Building three-dimensional models of structures and landscapes was part of our training. While studying topographic maps in class, I became fascinated by the lines of elevation on the maps and the unique abstract designs carved into the landscape by the random forces of Nature (water, wind and tectonic movement). 

The maps inspired me to start making layered, topographic models of actual landforms like mountains and canyons. These were initially made of dozens of layers of poster board. I also made topographic models of human faces and other three-dimensional objects. I called it TopoArt.

I dabbled with my TopoArt for a couple of years but put it aside to focus on illustration and graphic design (how I got from architecture to commercial art is a long, convoluted story). About 2003 I decided to pick up my TopoArt again and started making my three-dimensional pieces out of layered wood. Eventually I also began painting the designs on canvas.

Sierra Nevada Range” by Larry Booth

Have you created any TopoArt designs of other cities?

I’ve done a couple of cities such as San Francisco and Pittsburgh, but cities are not ideal subjects because they are typically situated on flat land and also because the landscape has been so extensively reworked that the natural design of the land has been lost. The best subjects are mountain ranges and valleys. My favorite three-dimensional piece is the TopoArt I did of the Sierra Nevada Range in California (see above). My favorite two-dimensional piece is my TopoArt painting of the Iron Range in Wisconsin (see below).

“Iron Range, WI” by Larry Booth

Are you from Milwaukee? 

No. I was raised and went to college in Philadelphia, PA. I’ve also lived in Columbia SC, Washington DC and Pittsburgh PA.

What brought you to Milwaukee?

Prior to coming here, I was living in Pittsburgh, PA. A former boss, who had moved here, called and offered me a job to run the Creative Services group at his company. Never having been to Milwaukee I was hesitant but agreed to come check out the city. He knew I was an avid sailor so he made sure I saw the harbor and the sail boats on Lake Michigan (I raced Olympic-class sailboats and served as a representative for sailing on the U.S. Olympic Committee.) I was hooked. 

What are your favorite cities you’ve traveled to?

Hong Kong and Ho Chi Minh City (I love Asian culture), Sydney Australia and Dublin Ireland (for the people). 

What were your first art experiences? What brought you to art?

My dad was a Philadelphia fireman but was also a really talented artist. He would sketch cartoons, human figures and architectural designs for fun. I was fascinated by them and began copying his art, especially his cartoons. My dream job as a kid was to be a Disney artist. 

“Milwaukee Topo” by Larry Booth on the corner of Sherman Blvd. & North Ave.

Who are your favorite Milwaukee artists?

Ah no, that’s not fair. You’re asking me to make enemies (he said with a smile)! Let me put it this way, I appreciate every artist, especially those who make art their livelihood. I know how much thinking, time and talent goes into a piece and it is not for me to judge. Only to admire. And learn from.

What are you currently working on? 

I have been working on some three-dimensional clay-on-wood abstract pieces that grew out of my fascination with the meandering, curvilinear lines of topography. Also working on some new TopoArt paintings of locations specifically in Wisconsin but it’s difficult to find unusual topographic subject matter here because of the geologic nature of our terrain and the minimal changes in elevation.

What would you like to do next?

I would love to do a large three-dimensional TopoArt covering an entire wall. The play of light and shadow would be a really intriguing sculpture in a public space such as a museum, hotel lobby or other commercial business.

Artist Interview: Dré Black

Dré Black with his piece”Chaos Emerald” on MLK & Clarke

I was really drawn to your art because of the vibrant colors and exciting patterns. How do you choose the color schemes and backgrounds for the women you draw?

The colors depends on a couple of factors. For a woman’s skin and undertones I try to have colors that complement each other. Then there’s times I like a complete contrast. So it pretty much depends on my mood, my vibe with the piece and the look I’m trying to go for. 

You channel this very beautiful divine feminine energy in your art. What makes you feel so connected to the women you draw?

Well, I was raised by an incredible single mother and I have a lot of very strong independent women in my family and life. Most of my art showcases women of color, who I feel are hugely misrepresented in society and media. My art is my tribute to them, their beauty and their wonder. Women are just fantastic human beings! 

I was really glad we got to meet up in person. You have such a positive vibe and good aura around you. How do you maintain that positivity through your own creativity? What inspires you?

Gratitude, is the key to my creativity. To be thankful and appreciate the things and people who are around me. What inspires me? Family, friends, the people of Milwaukee, life, art, change, growth, community, music, culture and balance. 

One of the purposes of art is to reflect the social context of its time. How do you see that happening now? What is it reflecting?

Working in public schools, I see women of color are grossly misrepresented in the news, and social media. This is reflected by my effort to show that brown and black women are beautiful in ways that traditional media overlooks. They are truly magic. #blackgirlmagic

What was the first piece you made that you loved?

“Glory” – It was the first 18×24 I’ve ever done and my first time using with watercolors. 


“Glory” by Dré Black

What has been your biggest struggle as an artist, and how have you dealt with it?

How to find my place in this art world? Where do I fit? Will my art be accepted? What would happen if I changed up my style and tone? Will people still like my art then? I have dealt with it by repeating “it’s going to go the way it’s supposed to go”. I just have to be in tune with my guidance that I’m on the right path. It’s been working out thus far, why quit now. 

Who are a few local artists that you really enjoy?

@Tystarr of course. His style is dope! @artisticabyjc, Josseline Castillo. Their abstract acrylic is amazing! @Xeronie_illustration , Yessica Jimemez. Her art leaves me in wonder.

What’s next for Dré Black??

More public art! My goal is do more murals and installations! I want to start painting with oil more and incorporate that into my mixed media style.

Welcome to the Journey!

I’ve realized upon returning to Milwaukee that it’s not the same city I grew up in its morphed and evolved and taken a new shape like any living system. At the same time upon my return I recognized the quirks of the city that became expressions of my own unique personality and started to understand, “Ahh, this is exactly why I am the way I am!”

And so I return to my roots riding the same routes along those same roads to retrace my steps and learn the city once again. Realizing the ways in which the city and I have changed and embracing all the ways in which we’ve stayed the same, hopefully allowing this project to be a fusion of the two.